The new term is almost here, and with it, quite a few changes will arrive at Goldsmiths. For instance, the Design department is offering a new and improved MA Design Futures, bringing you the latest research, new projects and new course content. One of the course convenors, Hannah Jones, tells us more about the changes in the programme and what can the students expect from the MA course from now on:
Q: What does it mean exactly that the course is re-launched? How does it differ from what was offered in the previous entry year?
A: Design Futures is the longest running MA programme in the department and one of the first MA programmes at Goldsmiths. It was originally written and launched in 1995 by Emeritus Professor John Wood, with the aim of encouraging designers to ‘dream’ of new and exciting ‘futures’, and in response to a lack of discussion in design about business ethics and the role of the natural environment in our lives. Continue reading “Everything you wanted to know about the re-launched MA Design Futures”
Have you heard about our new MA in Fashion yet? Starting this September, the departments of Design and Media &Communications, together with the Institute of Creative and Cultural Entrepreneurship, are offering a new Goldsmiths course that aims to challenge the traditional boundaries of fashion.
So here we bring you an interview with Ruby Hoette, a newcomer to Goldsmiths and one of the academics teaching on the course, to tell us more about the new MA and about herself. Ruby was born in Australia and her previous work and studies found her in Amsterdam and New York (at the famous Parsons School of Design) before she arrived to teach at Goldsmiths : “I was attracted by the strong culture of research and critical thought, and that, in combination with design practice, is, I think, a very productive mode of study”, she says. Ruby is both a fashion designer and a fashion researcher, and she is committed to a more critical approach to fashion, considering environmental and ethical aspects. Continue reading “Deconstructing fashion with Ruby Hoette”
Nicholas O’Donnell-Hoare is a graduate of Goldsmiths’ MA in Design: Critical Practice who has returned as a visiting tutor; this summer, he will run “Processes of Making”, a short craft-oriented course for the Design department at Goldsmiths, alongside another Goldsmiths MA graduate, Rebecca Steiner. (You can read more about the course and enroll here.) We thought this would be a good moment to get to know him better, so here we are with an interview of him! Nicholas has agreed to chat with us about his work with the multidisciplinary design group Saint-H, his guiding principles and the meaning and changes of craft in contemporary times. Nicholas is very committed to ecology and sustainability in his practice, and believes that design is capable of overturning the contemporary consumer culture from the inside in a more responsible direction. Continue reading “On craft in modern times with Nicholas O’Donnell-Hoare”
After taking a tour of the Design workshops with Senior Workshop Tutor Andrew Weatherhead, it’s easy to understand why students tell me about how much they love this space. It’s filled with a sense of wonder and innovation, and Andrew Weatherhead’s enthusiasm about the tools and technology available is contagious.
“The workshops reflect the interdisciplinary nature and creative critical practice of the programmes themselves”, he says. Unlike other universities, where students are specifically taught furniture design, for example, here they can and are encouraged to try their hands at a bit of everything. Whatever your material of choice, you’ll find some tools to help you experiment: there’s a room for heavy metals, one for woodwork, one for clay and other soft materials (where we found some tiles of green ceramic freshly out of the kiln, made by a student from the soil of her homeland), a room for textiles (where 3rd year student Hefin was busy putting together a woolen space suit for his final project) and, of course, the student favourite- the digital lab. Continue reading “A tour of the workshops with Andrew Weatherhead”