Goldsmiths Design Festival 2017: Wendy Lau re-interprets human rights

For her graduation project from the MA in Design: Critical Practice, Wendy Lau explores human rights through a series of activities that question our own perspectives and priorities on the issue, as well as encourage us to understand other people’s perspectives:

“I started with an observation on human rights nowadays, and I initially thought I could come up with tangible solutions or a design strategy to deal with the situation. However, after research, I found that the issue was really complex, so instead I tried to provide an experience to get the audience to understand, or to start thinking about the importance of human rights. So, this is a proposal and it consists of five sections of interaction which explore different perspectives on approaching human rights. The experience is trying to get the participants not only to express what it means to have human rights, but also to question the response of others, and start to re-think the various interpretations.Read More »

Back to the Breast with Carina Hardy

If you were around the Goldsmiths campus one particular sunny Friday this year in May, you couldn’t have failed to notice a pair of giant, inflatable breasts adorning our College green. Interested visitors could even crawl inside through an underwire, and see the sun through giant a nipple ceiling! The eye-catching installation is the work of Carina Hardy, a student of Barnard College (New York) who spent one year in the Design department at Goldsmiths. The giant boobs have travelled far before they arrived to Goldsmiths, since they were built in Bali and previously exhibited at Wonderfruit festival in Thailand. But why inflatable breasts, and what does it all mean? Carina explains:

How the breasts were made

This project posed some extreme challenges because I was committed to make them entirely out of sustainable materials. The ultimate goal was to compost them at the end of their life. After a series of material tests and prototypes we built the membrane structure out of organic cotton and coated the fabric in natural latex. I built them in Bali, where I was raised, with the help of a master tailor and a team. The natural liquid latex is hand-painted onto a total of 64 panels, and we pigmented the canvas because I didn’t want the default to be white breasts – watching the pigment change over time has been really interesting as well. It was a very intense material to figure out because it’s so sticky. The latex had to be brushed with baby powder so that it wouldn’t stick to itself.Read More »

Innovative design work at the 2017 Goldsmiths Design Festival

Last week, the Goldsmiths Design Festival held its third edition, again as part of the London Design Festival. As in the previous year, events took place in a single location, at the St James Hatcham gallery in New Cross. A private industry view for the postgraduate show happened on the evening of September 14th, while family and friends were welcomed on the evening of 15 September; the exhibition remained open until 17 September. All events were free to attend, and drinks were once again provided by The Fat Walrus.

From turning a parachute into fashion to exploring Mukbang, the online trend of broadcasting meals, from investigating different perceptions on human rights to empowering local communities through market hubs, the 2017 MA Show offered a wide range of exciting work. A few of the projects will be featured on the blog soon, so watch this space! You can also find more photos of the exhibits and the opening evening on our Facebook page.Read More »