Our final year BA Design students are running a podcast to promote this year’s graduation showcase, but also to fill in the gaps that an online degree show can’t fill, giving a voice to as many of this year’s class as possible. Jack Lowerson and Stan Bidston-Casey, who initiated the project as podcast producers alongside their classmate Emily Blake, talked about the thinking behind its development:
On how the podcast started and why:
“We had the idea for a radio show early in the third year. There aren’t many ways in which process is recorded at Goldsmiths Design, people outside the department are only exposed to finished products; other departments can’t engage with what the students do here. Even though there is a lot of emphasis on experimentation, testing and process in the department, nobody gets to see it, or to hear the very particular dialogues about work happening in the design studios, they get lost. So we wanted the podcast to showcase that. Continue reading “Hey, listen, something is happening! How BA Design students started a radio show”
We can’t invite you to visit us on campus in person these days for obvious reasons, but here’s the next best thing: a video tour guided by final year BA Design student Hannah Edwards. Find out what our facilities look like and meet some of our staff and students:
On 11 July, MA Design Expanded Practice students displayed in the MA Studios the outcome of their work on the 10 week-long project “Pataphysical Responses to the Most Urgent and Intractable Problems of Our Age”, in a show titled “HA HA! (Hinting At Having Alternatives!)”.
An Ouvroir de Design Potentielle (OuDePO – Laboratory/Workshop of Design Potentiality) was instituted in the Design Department. The OuDePo was formed to initiate a pataphysical curriculum in order to have a playful, yet critical purchase on design and designing- and, in particular, the part design plays in enacting neo-liberal programmes.
The quixotic programme of ‘pataphysical design’ effects deviance, disruption and, ultimately seeks to detour what is deemed the ‘proper’ way to think, imagine and act in design practice; it does so in order to circumvent the blocks (blocs) produced by design orthodoxies, finding ‘alternative’ methods and ‘imaginary solutions’ (of which pataphysics is the science).
The work presented in the show issues from thirteen ouvroirs (laboratories), which were formed to research, explore and propose responses to the most stubborn (intractable) and pressing, urgent (used ironically or seriously) problems and questions of the day.
Here are a few examples of the projects on display:
Ethical Botany and Cultivated Elysiums (Team: Keer Wei, Wei Peng, Yaoyao Tang)
The program of this ouvroir is to explore the increasingly important spiritual-ethical bond between the plant world and the human world. In this instance, the concept of the divine force of nature was used for a pataphysical program tackling the plastic islands of the Atlantic currents. The ouvroir developed an apparatus that afforded the opportunity to mix human breath (chi) and mycellium spores and introduce the mixture into 1) a rubber-duck like float that would take up to a year floating on the ocean currents before reaching the plastic island and/or 2) duck egg-like bombs that could be thrown from a passing ship or dropped from a plane directly on it. In both cases the objects are designed to release the spiritual-botanic mixture so that it may start to grow on and/or attack the plastics that are accumulating in our oceans and which, pose a threat to ocean life forms and, ultimately, humanity.