TWO DAYS TO GO! Visit the 2022 BA Design degree show, “Where Are The Margins”

Follow the exhibition’s official Instagram account: @wherearethemargins_ and visit the website for more information and detailed introduction of each student’s work. 

As the world changes, social structure shifts and overlaps. Values are swept up in cultural currents, colliding with others’ beliefs as ideas integrate with other people’s views and become a larger piece. In a world of ideologies in constant motion, our ideas formulate when considering their perception of reality and circumstance. 

The 2022 BA Design students navigate this phenomenon of their visible and invisible margins in the degree show. There will be a variety of work on display from all 86 students. Their design learning has taught them to be innovative, experimental and collaborative. But there has always been space for solo practices, showcased through ceramic, film, performance, sculpture, photography, woodworking and metalworking to name a few. 

In asking Where are the margins? They explore and define their own practices; beginning to comprehend where they, as designers, situate themselves within society, mapping their trajectory. They can then orient themselves against and amongst each other, improving by their collaboration and interpretation of each other’s projects; integrating and transmuting different elements into a more coherent whole. When their lines of interests intersect and overlap, concepts bleed out into new compositions and their work becomes marginalia.

When?  24th -27th June,2022

Where? Copeland Gallery and South Kiosk, Copeland Park, Peckham London SE15 3SN

Free entrance! 


Exhibition: 12 April – 31 May, weekdays 11.00 am – 5.00 pm 

Private View: 5 May, 5.00 pm – 8.00 pm

Constance Howard Gallery

DOMESTIC MONSTERS examines ways of thinking about what it means to maintain a practice that emerges from and is shaped, inspired and (at times) limited by domestic space and labour. Making this (unfinished/ongoing) work public acknowledges the invisible, ad hoc and responsive infrastructures of support, conversation and ‘thinking together’ that have gently coaxed these monsters into being.

Corinne Quin 
Juliette Kristensen 
Katherine May  
Laura Potter 
Naama Schendar 
Nina Trivedi 
Ruby Hoette


The exhibition is generously supported by the Goldsmiths Textile Collection/ Constance Howard Gallery with special thanks to Jane Cameron and Shanique Thompson. If you are attending the gallery and need help with any mobility requirements, please contact or call 0207 717 2210 in advance to ensure we can accommodate your needs.


PHYSICAL EDITING is a course ran by Roberto Feo & Rosario Hurtado (aka El Ultimo Grito) that looks at the production and conceptual spaces of cinema as vehicles for exploring the intersections of objects, space, digital media, film, performance and comics as means to developing new design languages.

DESIGN AS AN INBETWEENER. Design occupies the in-between spaces that exist between humans and their surrounding worlds both real and fictional, conceptually and materially connecting two distinct points in time and space.

INTERLUDES are narrative, spatial or musical interventions generating connections between random points in time and space, a joy for the side story, the minute adventure and the absurd, deliberately disregarding the grand narratives or ‘worthy subjects’.

INTERLUDES presents at Hatcham Gallery (25 St. James Hatcham, Goldsmiths, New Cross) from 26-29APRIL 2022 eleven multimedia installations by student groups from the MA Design Expanded Practice.


Roberto Feo, Rosario Hurtado, Annelore Schneider & Nick Williamson


Sasha Lychagina & Patricia Rodriguez


Changchao Chen, Chaoran Guo, Chenjie Ruan, Chien Ching Hung, ChunFu Su, Chuxu Hu, Daisy Hao Li, Gejian Zhu, Hanzu Deng, Huiyu Song, Jiayi Shen, Jingyi Wang, Li Yan, Lin Ye, Meifong Wu, Ruoqui Zheng, Shiting Yang, Siqi Li, Sisi Yu, Tianyi Lu, Ting Wan, Wenhui Chen, Xinglin Zhao, Xinyi He, Xinyue Xiao, Yang Wang, Yao Qian, Yi Zhang, Yifan Wang, Yixuan Liu, Zenan Duanmu, Zihan Meng, Ziqing Ou, Ziyu Huang & Zizhang Liu