Goldsmiths Design Festival 2017: Ingvild Augestad explores identities and labels

Ingvild Bjertnæs Augestad’s graduation project from the MA in Design: Critical Practice aims to spread knowledge about gender identity by telling stories of transgender people, through an organisation called LABELLED:

“I have designed a platform for communication about a non-traditional perception of gender. I created different examples of communication tools through the strategy of telling and gathering stories from all kinds of people, with a focus on transgender people. LABELLED is the organisation and it is supposed to publish, for example, postcards with facts about a non-traditional gender perception, engaging you to write down your own story and send it back to the organisation. There are also school-kits for collecting information from children, which put them in a situation of thinking about differences and identity, and how unique they are, because everyone is different. There are also the LABELLED talks, seminars where the organisation has set up a frame for what kind of subjects are important to different audiences, such as nurses or doctors. There are the posters, which are telling stories of gender fluid people through pictures and text. The aim of the organisation LABELLED is to keep a positive attitude, and to make people feel engaged and surprised.Read More »

Goldsmiths Design Festival 2017: Maurizio Detomaso investigates air pollution in London

For his graduation project from the MA in Design & Innovation, Maurizio Detomaso designed a device that maps the user’s exposure to air pollution:

“The concept is a wearable air quality sensor which can track your personal air pollution exposure. The aim of the project is to raise awareness about the impact the over polluted environment has on human health, and to empower people to collect and map air quality data in the urban environments. The portable device can allow people to have an accurate assessment of their daily exposure to air pollution and it can improve the London air monitoring system network at the same time. Making this “hyper-object” more tangible is the key to influencing strong political and individual actions for a cleaner and healthier environment.”Read More »

Goldsmiths Design Festival 2017: Wendy Lau re-interprets human rights

For her graduation project from the MA in Design: Critical Practice, Wendy Lau explores human rights through a series of activities that question our own perspectives and priorities on the issue, as well as encourage us to understand other people’s perspectives:

“I started with an observation on human rights nowadays, and I initially thought I could come up with tangible solutions or a design strategy to deal with the situation. However, after research, I found that the issue was really complex, so instead I tried to provide an experience to get the audience to understand, or to start thinking about the importance of human rights. So, this is a proposal and it consists of five sections of interaction which explore different perspectives on approaching human rights. The experience is trying to get the participants not only to express what it means to have human rights, but also to question the response of others, and start to re-think the various interpretations.Read More »

Back to the Breast with Carina Hardy

If you were around the Goldsmiths campus one particular sunny Friday this year in May, you couldn’t have failed to notice a pair of giant, inflatable breasts adorning our College green. Interested visitors could even crawl inside through an underwire, and see the sun through giant a nipple ceiling! The eye-catching installation is the work of Carina Hardy, a student of Barnard College (New York) who spent one year in the Design department at Goldsmiths. The giant boobs have travelled far before they arrived to Goldsmiths, since they were built in Bali and previously exhibited at Wonderfruit festival in Thailand. But why inflatable breasts, and what does it all mean? Carina explains:

How the breasts were made

This project posed some extreme challenges because I was committed to make them entirely out of sustainable materials. The ultimate goal was to compost them at the end of their life. After a series of material tests and prototypes we built the membrane structure out of organic cotton and coated the fabric in natural latex. I built them in Bali, where I was raised, with the help of a master tailor and a team. The natural liquid latex is hand-painted onto a total of 64 panels, and we pigmented the canvas because I didn’t want the default to be white breasts – watching the pigment change over time has been really interesting as well. It was a very intense material to figure out because it’s so sticky. The latex had to be brushed with baby powder so that it wouldn’t stick to itself.Read More »