D//U//A//T, the BA Design final project by Charlie Witter and Tom Gavriel, resulted in a musical performance unlike any other at this year’s graduation show. You can watch the performance in the video above, but what’s the idea and the process behind it? Tom explains:
“The performance was the culmination of a chaotic passage through a shared project which deals with mythic patterns and unconscious wanderings.
Charlie and Tom started to work together once a week by making t-shirts based on characters they would meet along their travels; this would later become an integral part of their practice. In order to further bring their stories and characters to life, they enlisted a group of musicians over Gumtree to become the troubadours of their tales. This group included superhero rapper Mr.Grimez, actor Frederick Roll, guitarist Vitaly Yasinsky and Richard Winstanley from ‘Baffy the Band’. In the first session they entered blindly, with no musical experience, but have become excited about the creation of spectacle and noise.
The creation and seeking out of weird and eerie artefacts has also driven their practice, and for Frederick, the lead tragedian of the tale, backed by his travelling band, they have created a sonic trolley which records and projects cosmic sounds into ordinary spaces.
Moving forward, we are excited to announce this is our first contact made with reality, and there is plenty more to come. D//U//A//T are looking for a band manager, money and the final couple of members for the travelling band to join us on our voyage into the unconscious.
We would also like to thank all of the members of staff at Goldsmiths Design Department – this has only been possible due to the freedom of exploration fuelled within the course.
Finally; we are crazy and we’re not going anywhere.”
You can hear more of the team’s studio sessions on Soundcloud, follow them on Instagram and Facebook, or email them at email@example.com.
At last week’s BA Design show M-O-D, visitors had the chance to see an unique eight-minute performance, designed by Liakike Robi for her graduation project and performed by Tru Peñate. #Habitus is a performative dance installation about social media and how it increasingly occupies our daily life, subconsciously affecting our mood and behaviour. Here is the designer herself explaining how the project came to be:
Why did you decide to design a dance performance for your final project?
“I was just following my intuition and passion for dance. At the end of my second year at Goldsmiths University, I knew I wanted to work with dancers for my final project. I’ve also always wanted to continue my practice as a designer in the field of stage and set design. So it made sense to me that the outcome should be something that would combine these two. I had a quite clear vision of what my project had to look like, however, the concept for the performance was more complicated.”
Do you have any experience with dance yourself?
“Before coming to London I was in one dance company back in Lithuania, while on the side collaborating with local artists creating performances in gallery spaces. Here in London, I still go to various dance classes, like breaking, new style hustle, house or jazz. Of course, the preparation for the exhibition and exam slowed down my own practice.”
What was it like to work on designing the performance with your performer?
“Working with another person with a different background is absolutely amazing. On this design course, we are encouraged to work in groups and collaborate. The challenging part of this project was showing that a dance performance can also be a design project- and building a language between me and the dancer, building the piece and making her see the project more as a designer, rather than a dancer.”
In 2018, our BA Design graduation show returned to South-East London after many years, taking place at Copeland Park in Peckham on 7-10 June. The class of 2018 presented their graduation projects under the title “Museum of Design”, organised into six themes: Systems, Narrative, Space, Identity, Education and Nature. But if the exhibition was organised as a museum, it was an interactive one, including dance and music performances, a cinema and the opportunity to play a Propaganda-themed board game, designed by Sindi Breshani.
The work on display was very diverse, highlighting the multi- and post-disciplinarity of the BA Design course at Goldsmiths, where students are encouraged to forge their own path. “It was really challenging, but I really got to see how I can expand my practice as a designer, and try out things I wouldn’t try out somewhere else”, said Julio Salguero Rodas, whose project looked at questioning the masculine ideals portrayed in ancient statues. “This course was quite open and led me to doing what I wanted”, said Damla Ozaltin. Damla’s project aimed to inhabit the feeling of being a bird to provide breathing space in the fast-paced city environment.
One of the projects, Lydia Hunt’s work on celebrating human hair, has been featured in Metro and other media outlets. Lydia created objects made of hair based on her book 106 Ways To Celebrate Human Hair, in which she asked people ‘if you had your lifetime’s worth of hair spun in to wool what would you make, why and who would you pass it down to?’.
You can find out more about the other projects from the M-O-D show website. Follow our Facebook page and our Instagram account to see more photos of the 2018 show.
Gabriella De Rosa (BA Design 2017) won the Placement at Kinneir Dufort Award in the WEARING INTELLIGENCE 2.0 brief at this year’s RSA Student Design Awards. The brief asked participants to develop a design solution that utilises ‘advanced textiles’ (fabric that has been enhanced by new technologies) to improve well-being or the quality of people’s lives. Gabriella explains:
“I developed my final year project from Goldsmiths and entered my concept InterWeave: an advanced textile interlaced with plants. InterWeave transforms fabric as we know it, offering a range of environmental inspired characteristics that progress textiles. It weaves nature into an everyday, essential item, immersing the wearer in their local environment in order to reconnect humans with the natural world, reduce our environmental impact and improve our well-being. By creating living fabric as an addition to our own body, I create a connection that enriches and expresses our relationship with nature.”
The RSA Student Design Awards is a global curriculum and annual competition for higher education students and recent graduates run by the RSA. Each year the Awards challenge emerging designers to tackle a range of design briefs focused on pressing social, environmental and economic issues.