Last week, the Goldsmiths Design Festival held its third edition, again as part of the London Design Festival. As in the previous year, events took place in a single location, at the St James Hatcham gallery in New Cross. A private industry view for the postgraduate show happened on the evening of September 14th, while family and friends were welcomed on the evening of 15 September; the exhibition remained open until 17 September. All events were free to attend, and drinks were once again provided by The Fat Walrus.
From turning a parachute into fashion to exploring Mukbang, the online trend of broadcasting meals, from investigating different perceptions on human rights to empowering local communities through market hubs, the 2017 MA Show offered a wide range of exciting work. A few of the projects will be featured on the blog soon, so watch this space! You can also find more photos of the exhibits and the opening evening on our Facebook page.Read More »
Embroidery and cross stitch are usually associated with femininity, and seen as less sophisticated than other crafts. A keen cross stitcher herself, Eleanor Price is challenging these perceptions through her graduation project for the BA Design course at Goldsmiths:
“I’m looking at embroidery and how it could reach a wider audience. I’ve been using cross stitch to make house plans, using the femininity of shapes, and the skill, on something that’s seen as more neutral. And I’ve been building extensions on the houses, as a fancy element of decorating a house. I started by trying to think of things that were already shown through cross stitch imagery, and house imagery is one of them, but it very much consists of idealised cottages and wooden houses in the mountains. It’s a kind of fantasy that I don’t feel many people have anymore. So I started looking at more achievable fantasies that you could work towards, and that everyone could relate to- and house extensions is one of them. ”Read More »
For his graduation project from the BA Design course at Goldsmiths, Joseph Thompson is trying to uncover the complexities of craft processes:
“I’ve been looking to expand what is meant by the word “craft”, and unpick the problems with it in contemporary culture. The output that I’ve created is a diagnostic tool for ceramicists to re-evaluate how they throw pottery, which comes from the idea that people who have an ingrained habit find it inconceivable to change, or to progress in their practices. This tool exists to disrupt the process that they normally throw pottery by, so that they can re-evaluate and train themselves to learn different techniques.
The experiment consists of ceramicists throwing under a strobe condition, and there are two ways you can configure the strobe light. One is to act as a stroboscope, where the pot is completely still, so every time it does a rotation, you see the same side of the pot. This makes it really difficult to tell if the pot is off-center. The second way you can configure it is to allow people to set the strobe themselves. I found that when people were throwing under these strobe conditions, those who weren’t as confident would turn up the speed, whereas those who were more confident would turn it lower.Read More »
“We’re all being made to live longer because of our fear of death, but in doing so, we also have to work longer. So, an extended human lifespan is for the purpose of capitalist gain. We’re currently seeing more and more people living up to, and past a hundred years of age, but with that come many repercussions for climate change and overpopulation- and if we live longer, we’re going to have to finance that life.
I’m also looking at what happens to human purpose when work disappears. We’re raised to believe in a three-stage life, education-work-retirement, and the value of hard work is embedded into human culture. But what happens when we can’t work? With automation, precarious work, universal basic income, it’s looking more and more like the corporate ladder, and human jobs altogether, will disappear.”Read More »