The BA Design class of 2021 are presenting their outcomes this week, under the title “My Friend, Oh! It’s Been So Long.” The blog continues to give you a peek at the work being showcased. Today, Saundra Liemantoro:
“At the end of 2nd Year, I had been working with clay a lot. When lockdown started, the ceramics labs shut, and the world went online. I felt that the difference between working with the patient, warm, tactile clay and with the overcrowded, cold cyberspace was jarring. In the contemporary, technology feels so far away from craft and I intended to bring craft and computing closer.
This year’s graduating Design students are presenting their outcomes this week, under the title “My Friend, Oh! It’s Been So Long.” The blog continues to give you a peek at the work being showcased. Today, Aarushi Matiyani:
“Stitched Sedition acts as a growing archive on textile, recording district-wide network shutdowns in India. It’s a method of protest that raises awareness about the serious implications of internet shutdowns through performing embroidery in public spaces. The word sedition holds a loaded political context in India, with a draconian era law that has put journalists, young activists and artists behind bars for being critical of the government.
In advance of this year’s BA Design degree show, which starts on 28 June under the title “My Friend, Oh! It’s Been So Long.”, hear Elektra Thomson and Mathilda Taylor interviewing each other about their graduation projects, inspiration and how they coped with life and studies during a pandemic:
Situated in the Central Pavilion at the Giardini, the installation is a place of contemplation on the future of extra terrestrial resources. The installation comprises of three amorphous mirrored panels and an arrangement of geological specimens. Each geological specimen relates to current research into extra terrestrial mining, and includes geological simulants from the European Space Agency, metallic meteorites and personal specimens of asteroid mining entrepreneurs and planetary geologists. Etched onto their mirrored panels are morse-code extracts of the Outer Space Treaty, Moon Agreement and US Space Act that relate to the ownership of extra terrestrial resources.