Goldsmiths Press: Call for Contributions

“Economic Science Fictions”, edited by William Davies

Contemporary capitalism suffers from a grave shortage of alternative futures. While the dominant models of markets, of property, of money, of regulation no longer inspire much confidence, let alone enthusiasm, our contemporary fate is to repeat them regardless. Blank repetition of the status quo signals a society without the capacity to exercise economic imagination or economic design. The function of debt is precisely to ensure that such possibilities remain unexplored, creating bonds to the past, rather than blueprints for the future.

What we lack is ‘economic science fiction’, that is, the capacity to inject a modernist design ethos into institutions and practices which have come to feel permanent. This may also enable us to reconsider the present as the effect of past ‘science fictions’, and the on-going fictions as repeated by economists, financial services, accountants and managers. This is not simply about the need to revive utopian thinking, but also about the value of prosaic acts of institutional re-design, which go on in everyday situations. It is also about the need to open up the expert discourse of economics to a broader range of voices and styles, and to explore the overlap between economic ‘science’ and economic ‘fiction’. And it is an effort to re-capture the meaning of economic ‘creativity’ from its repetitive business usage.

This collection will bring together around 15-20 short chapters (circa 2,000-5,000 words each) from contributors inside and outside of Goldsmiths, from across economics and other social sciences, and also from creative and artistic spheres, such as creative writing and design.

Chapter topics should include:
• What is ‘economic science fiction’
• Orthodox economics as a ‘science fiction’
• Designing alternative futures: what do economic blueprints look like?
• The art of writing an ‘economic science fiction’
• Enclaves of utopian thinking: where (and by whom) will economic science fictions be crafted?
• Alternative currencies or alternative property rights as ‘economic science fictions’
• Postcapitalist organisations as ‘economics science fictions’
• Economic science fictions of the past: excavating dead utopias
• Prosaic acts of everyday fiction-building

Professor Ha-Joon Chang (author of 23 Things They Didn’t Tell You About Capitalism and Economics: A User’s Guide) has agreed to contribute a chapter. We can also confirm contributions from William Davies, Mark Fisher, Mao Mollona and Owen Hatherley.

Contributors are encouraged to write for a general readership and to explore ideas and opinions from a diversity of cultures and standpoints.

To submit a proposal or for further information, please email goldsmithspress[@]gold.ac.uk.

About the editor

William Davies is a Senior Lecturer in Politics at Goldsmiths and Co-Director of the Political Economy Research Centre. He is author of The Limits of Neoliberalism: Authority, Sovereignty and the Logic of Competition (Sage, 2014) and The Happiness Industry: How the Government and Big Business Sold Us Wellbeing (Verso 2015). He blogs at www.potlatch.org.uk.

Find out more about Goldsmiths Press

Find out more about the first Goldsmiths Press publication, Les Back’s “Academic Diary”

Goldsmiths Design career talks: Nick Marsh, Lost My Name

Early this year, the Design Department at Goldsmiths welcomed back a few of its graduates for a series of talks on career paths post-graduation; one of them was Nick Marsh, currently Vice President Product Designer at Lost My Name, a company which sells personalised children’s books.

Lost My Name is a very fast-growing business: it went from 12 to 100 employees since Nick joined, and currently publishes Britain’s best-selling children’s book. Nick’s role is mostly a managing one, and involves answering questions that are vital to the development of the company: “What products should we make? How do we define what market we’re in? What’s the relationship between the story worlds that we have? Should we design all our products ourselves or should we work with outside design companies or outside design teams?” Their model is an unusual one for publishing, as only books which are bought are printed, so the product is constantly improved, much like software.

Screen Shot 2016-04-08 at 16.21.59
The Lost My Name website

Continue reading “Goldsmiths Design career talks: Nick Marsh, Lost My Name”

Students are invited to design the Orwell Prize trophy

 

2015 Orwell Prize trophies, designed by Goldsmiths Design student Keir Middleton
2015 Orwell Prize trophies, designed by Goldsmiths Design student Keir Middleton

Entries are invited by individuals or groups to design the trophy for the prestigious Orwell Prize 2016 for political writing. Students from the Design Department have been specifically invited to design the Orwell Prize trophy since 2012.

 Download the brief

Please read the briefing details carefully. Submissions can be by Individuals or Groups- 3 designs per submission, one design will be chosen. It must be easily replicated as the same prize is presented to all award winners. The budget for the creation and manufacture of Prizes is £300.00. All submissions to be sent for the attention of Stephanie Le Lievre, stephanie.lelievre[@]theorwellprize.co.uk.

Timeline:

  1. Submissions must be received by 4.00pm on Wednesday 27th April 2016. Format : PDF images or Jpeg no bigger than 5MB
  2. The chosen design submission will be notified by Friday 29th April  2016
  3. Design Meeting with Stephanie Le Lievre in the week beginning 2nd May 2016
  4. Design completion and delivery date: Friday 20th May 4.00pm
  5. Attendance at Orwell Prize  event with guest 26th May 2016

If there are any queries, please contact Rose Sinclair – r.sinclair[@]gold.ac.uk or Stephanie Le Lievre,  stephanie.lelievre[@]theorwellprize.co.uk.